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Says who?Nobody wants to see a horny Gollum or Orcs with raging hard-ons
Shouldn't that be up to the author to say? And considering he's been dead for decades, I'm not sure we'll get an answer any time soon.but why shouldn’t some of Middle-earth’s denizens be gay?
Says who?
Shouldn't that be up to the author to say? And considering he's been dead for decades, I'm not sure we'll get an answer any time soon.
Um, no. First, the word "Queer" as it is used today would not be understood when Tolkien wrote the books. Not to say that same sex relationships, gender non-conformity, and related concepts didn't exist, but the current concept of Queer is a late 20th century construction. It is a concept that modern readers bring to Tolkien's books, not a concept within Tolkien's writing.
Yes, but what of it? Tolkien wrote the books. Any subsequent works based on them, directly or indirectly, are reinterpretations -- retellings of parts of the original story for particular purposes.Um, no. First, the word "Queer" as it is used today would not be understood when Tolkien wrote the books. Not to say that same sex relationships, gender non-conformity, and related concepts didn't exist, but the current concept of Queer is a late 20th century construction. It is a concept that modern readers bring to Tolkien's books, not a concept within Tolkien's writing.
Second, Tolkien was well versed in medieval literature and concepts like chivalry and courtly love. He was also a devout Catholic (so much so that he intentionally published a creation story of Middle Earth in the Silimarilian that aligned with Genesis to stop pagans from co-opting his works). Tolkien created his characters as chaste (not sexless, but in the literary sense of without sexual sin, including any premarital sex, gay or straight). The few times characters break from that in his works always end tragically.
His books are a fantasy the reflects his scholarly and religious background. Gimli and Legolas, for example, were not a romantic couple, but an example of the kind of chivalrous comradery that would have been at home at the Round Table. Modern readers bring different romantic expectations to the Arthurian stories as well. He was writing fantasy including idealized relationships, not realistic fantasy where society is a reflection of past or present actual conditions.
I don't think it is wrong for modern adaptations to add diversity to the world Tolkien created. On the other hand, I don't think turning it into Game of Thrones would be a good use of Tolkien's work. Martin is already commenting on how Tolkien idealized his characters by contrasting them with his much more Machiavellian and sensual characters. Given Tolkien's position in fantasy literature, there are no end of authors who have reacted to his work in one way or another. But it is not exploring Tolkien to add these concepts, it is reinterpreting Tolkien for a modern audience. It is not his work any longer, but a fusion of it with ideas that he would not have understood the same way a 21st century audience would. Those queer leanings are not Tolkien's, they are modern readings of his work brought by readers with different expectations and experiences than Tolkien had.
We'll just have to wait and see what the dramatization looks like. Then, to my mind, the question is whether it introduces into the story something that wasn't there before or whether it simply re-examines, from an unexpected point of view, particular aspects and episodes from the books.My point only being that contrary to what the article says, these ideas are not "in" Lord of the Rings. They are in modern readers. The article implies that the concept of queerness is inherent to the books, without recognizing that it is them applying the concept to an existing work that never considered it.
Moore's work does not invalidate Lovecraft. I am not familiar enough with what Moore wrote to comment on the finer points, but I would wager Moore is clear that he isn't just regurgitating Lovecraft, but is applying his own ideas to the interpretation.
For that matter, most of the homoerotic undertones the article points to are Peter Jackson's interpretation of Lord of the Rings, not the text of the book.
I have no way of knowing how true this is or not, but I've heard at least that the Spanish Harlem neighborhood nowadays is basically Manhattan's current actual Chinatown and the Mott Street area is now functionally the same as "Little Italy" - i.e., purely for tourists.So I watched "In the Heights" yesterday, and realized it is set in and was filmed in the Washington Heights neighborhood where I lived as a child. Still looks pretty much the same as it did in 1971 as far as the buildings and storefronts, when my parents moved 1.5 miles north to the Bronx. When we left, it was in the process of changing from previous generations of immigrants to "Spanish Harlem".
There are now twelve "chinatowns" in the New York metropolitan area, with a total of 900,000 ethnic Chinese. About 100,000 of them live in the original chinatown in lower Manhattan. But anything in lower Manhattan is godawful expensive, so it makes sense that the people still living in the original area are shop owners and their decendants who have long-since paid off the buildings and now "work from home" (i.e. live above the shop front). Everyone else has moved to the other areas that are less expensive.I have no way of knowing how true this is or not, but I've heard at least that the Spanish Harlem neighborhood nowadays is basically Manhattan's current actual Chinatown and the Mott Street area is now functionally the same as "Little Italy" - i.e., purely for tourists.
And Tolkien was a very rigid no non-sense Catholic. Basically his friendship with CS Lewis ended because Lewis married a woman who had been divorced.... so I'm thinking he is probably spinning in his grave.Says who?
Shouldn't that be up to the author to say? And considering he's been dead for decades, I'm not sure we'll get an answer any time soon.
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Considering it's $29.99 USD to stream it right now, I'm hoping there were a lot of families (about 2 million of them?) watching it together. Because that's a high price tag for a single viewer.The official box office receipts aren’t in yet, but Disney put out a press release this morning saying Black Widow made $80 million domestic and $78 million internationally this weekend, which is conveniently just higher than F9 and therefore just enough to give Black Widow the highest opening weekend since Star Wars: The Rise Of Skywalker (which is also a Disney movie, allowing Disney to say “we made two movies that made a lot of money”). But we’re not going to dwell on that here, because these numbers come straight from Disney and therefore might not mean anything, but one thing that is genuinely interesting from Disney’s press release is that Black Widow apparently made $60 million from Disney+’s pricey Premier Access tier alone.