If you relate at all to the previous three paragraphs — and if you are also interested in left-field, word-of-mouth indie-rock hits — there’s a good chance you have fallen under the spell of
Diamond Jubilee, a 32-song retro-pop masterwork by a songwriter, guitarist and drag performer based in North Carolina named Patrick Flegel, who currently records and performs under the moniker Cindy Lee. On March 29, Flegel released
Diamond Jubilee on YouTube and via
a “Wild West internet era”-looking GeoCities site, where they solicited a voluntary $30 fee — in Canadian dollars, as Flegel originally hails from Calgary — for the expansive double album. There were no advance singles, no press photos, and no PR campaign of any kind. It was not available to stream on Spotify or Apple Music, and it was not put up for purchase on Bandcamp.
Diamond Jubilee was, for all intents and purposes, off the grid for how music is typically heard and discovered in 2024.
And yet, in just a few short weeks,
Diamond Jubilee became one of the most critically acclaimed and — among a small-ish but quickly growing cult following — intensely adored indie albums of recent years.