LOL! Boooooooks

Lexxi

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This was a tad silly (only 6 questions) but funny if you are or were ever into the fantasy genre. I admit I don’t read as much of those types of serial novels but the book it recommended for me sounds interesting - The Starless Crown by James Rollins. I might get it for old times sake.


Took the quiz. It wants me to read Daughter of Redwinter by Ed McDonald.
 
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Isabeau

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I wasn’t aware about any of this…

The New York City Library once refused to carry Goodnight Moon

One day in 1950, in the south of France, she fell ill and had an emergency operation to remove a cyst. The day she was discharged – to prove to the doctors how well she felt – she kicked her leg up high like a Can-Can dancer, dislodged a blood clot, and died instantly. She was just 42 years old.
 

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Jesus Atreides Christ....

I've been rereading Frank Herbert's Dune hexaology (right now on #3, Children of Dune) on my Kindle. So of course in Amazon's recommends shitelist, they have to throw every fucking sequel/prequel/reek-quel his son Brian Herbert and co-conspirator Kevin J Anderson can excrete from their word processing software. And trust me, it excretes A LOT.

Thanks, Obama.
 
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I do prefer short paragraphs. But not that short. It is choppy writing. You often need more than one sentence to develop an idea. Not exclusively, but usually.
The quote from Veritable is from the douchelini thread but I moved my post to here since it is much more about writing than douchelini.

Taken to the opposite extreme is Miss Macintosh My Darling by Marguerite Young. It is a remarkable novel. One of a kind. It is all about stream of consciousness. There is a plot of sorts but it isn't really important. The important part of this novel is the flow of thoughts and feelings in every sentence, paragraph or page. The paragraphs are often, usually very long, sometimes two pages. The transcription below is one page. My copy is divided into two volumes ending in page 1198. The whole thing is quite a masterpiece, though most people will not be able to make it from beginning to end with this style.

Marguerite Young is unquestionably a genius - Kurt Vonnegut
The key to the enjoyment of this book is to abandon one's self to the detours, wandering, eliptical and tangential journeys, accepting in return miraculous surprises. This is a search for reality through a maze of illusions and fantasies and dreams, ultimately realizing in the words of Calderon, "Life is a dream". - Anais Nin
I can't find volume one but this is the fourth paragraph of volume two. I am in the mood for typing tonight.

He was the doctor who had lost his patient although the symptoms of an immortal illness remained like the colors flushing through the clouds which had lost their colors, pulsings, breathings, tremblings, pinions of fluted light like the sweepings of the arms of the great semaphores, the nebulae burning like pale fires under snow banks or burning like the eyes of birds, burning like vanished station lights, the lights upon the waves where only the darkness should be, and he was the lawyer who had lost his client and who had forgotten the subject of his litigations, this old lawyer of marine properties under the chartless waters of a dream extending, receding, this old lawyer carrying a briefcase with a broken padlock, wills and testaments accompanying him like a consort as he wove from shore to shore, his papers whispering, this old lawyer with his rustling papers and papers stuffed into his alderman's hat and music written upon his shirt front where the lights of the surf dashed like the lights of a city and music upon his mantle reflecting suns and moons and stars forever in transit by the scalloped tide -- an astronomer far away or even one quite near might mistake him for a firmament of undiscovered galaxies or hear their twitterings --music breaking at his feet--lawyer for a dolphin and a rose, no doubt, lawyer for a starfish, lawyer for a snowflake, lawyer walking by a sea streaked with silver and green and golden lights which had filtered through many clouds or mottled like the pigeon's breast, lawyer for a passenger pigeon gleaming through mists and fogs as he gleamed, glittered, faded, the fireflies shining through him, lawyer for a centaur sleeping upon the rock, lawyer for a dead coachman with his wheel turning through the surf and lawyer for an old surrey under whose top a passenger slept like a pearl inside a shell, lawyer for the moon in the cloud, and was this old postman going rounds through all inclemencies of time and tide and weather's chameleon shiftings and many colored ties or tides of darkness, this old postman knocking on the door of every house, and he was this old lighthouse keep whose lighthouse was built beyond the porches of the brain beyond the whisper of the somnolent tide oh the cries of tides awakening, beyond the ebb and flow of consciousness, that which should know the difference between one love and another love, one shore and another shore, and he was the musician who had struck two chords together with one motion of his dead, jeweled hand with its long fingers reaching like light beams, chord which was ever of the silence flowing under the sound of accidental or incidental music, music informed by the silence as lights lowered, as doors fell unhinged from the heavens and waters murmured like the voices of the dead, like choirs of silences and many silent strings and many phantom flutes and horns as the dead star glittered for one moment before it disappeared--for this was the spectre dreaming upon the spectre, and only he was real. And all else was illusion. And thus there was no end but that which had transpired before the end--the withering of the flower before the blossoming of the flower--the falling of the snow before the falling of the snow--the wind blowing upon the towers and porches before the wind had ever blown--the song ending before the song began--the flame going out before it had ever burned--for everything had happened before--and there were many moony vales and shadows inside the unknown dimensions of the human heart, places where all contrairities were equal, times when bells rang under water, even death was robbed of the solitary moment of its power, its dimensionless music.
 
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Veritable Quandry

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William Faulkner once wrote a sentence that is 1,288 words long.
 
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William Faulkner once wrote a sentence that is 1,288 words long.
I could write a run on sentence that long. Would it make for an interesting literary experience? No. William Faulkner's is somewhat interesting but I find Marguerite Young's style more to my liking.
 

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Run-on one sentence paragraphs would annoy me, but no capitals and periods that some like to do bug me more.

If it’s your own blog or diary, I suppose you can do what you want, but if your goal is to be understood and read by many, writing in a manner that is pleasing to most is better.

I just wrote three one sentence paragraphs, heh.
 

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The quote from Veritable is from the douchelini thread but I moved my post to here since it is much more about writing than douchelini.

Taken to the opposite extreme is Miss Macintosh My Darling by Marguerite Young. It is a remarkable novel. One of a kind. It is all about stream of consciousness. There is a plot of sorts but it isn't really important. The important part of this novel is the flow of thoughts and feelings in every sentence, paragraph or page. The paragraphs are often, usually very long, sometimes two pages. The transcription below is one page. My copy is divided into two volumes ending in page 1198. The whole thing is quite a masterpiece, though most people will not be able to make it from beginning to end with this style.





I can't find volume one but this is the fourth paragraph of volume two. I am in the mood for typing tonight.
It's like plugging into a mind waking up from a dream, a shifting dream, fragmented as water lillies on a pond reflected with silver mists dappling drowsely in the eye of a maiden sitting on a treestump holding her tea wearing a white parasel hat with chiffony ribbon in the blinding heracle of shafted light piercing through the clouds as a course plowman churns through the rough papery soil of a run-on plot of untilled story, turning ribbons of paragraphs back unto themselves in the peppery soil of half-song, half-rhyme of some ancient mariner whose boat was swept away to be forever bound into the sargasso expanse of unpublished hemmingways lofting themselves through the plunging sea mourned only by the passing, pecking seagulls tearing words from half-soaken pages.

Yee gawds, this is EASY. No wonder she wrote so many vowels and nouns. It is entirely semi-focused stream of consciousness.
 
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WolfEyes

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Stream of consciousness writing is one thing but one sentence one (or more) page(s) long... that's more like diarrhea going overboard.

On the other hand, it does help to explain a little bit why people can't seem to understand things I say. It's very difficult to slow that stream down enough to put it into words. Oddly enough, writing helps with that a little. But only a little. Clean up can be a nightmare. lol
 

CronoCloud Creeggan

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I'm done with vampire stories but I may have to give this one a try...

Looks like the author threw in every Romance novel and supernatural-romance novel trope into the book and hit "blend".
Terrorists! Cowboys! Vikings! Demons, Angels, Vampires, oh my. Time Travel!
 

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Looks like the author threw in every Romance novel and supernatural-romance novel trope into the book and hit "blend".
Terrorists! Cowboys! Vikings! Demons, Angels, Vampires, oh my. Time Travel!
Almost no space left for the romance!
 

Jopsy Pendragon

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I got recommneded: The First Binding by R.R. Virdi
Which I read earlier this year... and hated passionately. But only because I have to wait for the sequel. ;) Several shifts in writing style throughout depending on who's story is being told, and by whom. It does get kind of 'matryoshka'-esque with stories being told within stories, but wasn't hard to follow at all. Normally interludes with backstory/whatever kind of annoy me because they feel like filler, but 'First Binding' made them feel relevant and purposeful enough that I enjoyed them as much (if not more) than the main story. Which is kind of the point anyway....

Other books I've -loved- this year so far:

Ruin of Kings (first of the 'Chorus of Dragons' series). Epic and delicious, I sorta put all my other entertainment on hold and slammed through the whole series.

A Deadly Education (1 of 3 in the Scholomance series). Excellent audiobook, filled with subtle accents for the rather international cast (w'out clubb'n ye o'er yer hed w'it awl doyled up ta Eleven!). A first person account of an unpopular girl's time in the Scholomance a magical school hidden in the void to protect inexperienced wizards from the growing horde of 'mals' that want to snack on them. Fierce, transactional, competitive and constantly bubbling with a simmering bit of teen rage, 'El' wrestles with the daily hazards of the school and her peers, as she tries to prepare for graduation itself, which many fail to survive.
 
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Hey, farmers got to know about this kind of shit.